In Sevastopol in December, Tolstoy uses second person narrative (with the pronoun 'you') in an introductory tour of life in Sevastopol. The detailed tour is arguably similar to one Tolstoy may have been given upon arrival in Sevastopol in November, 1854. As part of the tour, the narrator takes you through the dressing station, which is a makeshift hospital in the Assembly Hall. Here you find wounded soldiers, amputees, "some of them on camp beds, but most of them lying on the floor". Tolstoy also uses Sevastopol in December to introduce the reader to the settings, mannerisms, and background he uses in Sevastopol in May and Sevastopol in August. For example, when referring to the enemy, either the British or the French, only the French are featured in the Sketches; they are referred to as "'him', as both soldiers and sailors say" (Tolstoy 198).
In Sevastopol in May, Tolstoy examines the senselessness and vanity of war. The story examines many aspects of the psychology of war, heroism, and the misleading presence of humanism in truces (misleading because countries continuously go to war with one another, despite past truces). Tolstoy concludes by declaring that the only hero of his story is truth.
Sevastopol in August depicts the conclusion of the siege of Sevastopol and the eventual defeat and withdrawal of the Russian forces. The narrative alternates between following Mikhail and Vladimir Kozeltsov, two brothers who both fight and eventually die for the Russian side of the conflict.
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